Ceramist and Teacher

 
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Living on Maui since 1981, Jennifer retired from full time teaching as an Associate Professor at the University of Hawaii Maui College in 2018. Today she creates salt fired pottery in her Haiku studio and teaches ceramics at the Hui No`eau Visual Arts Center. Her ceramic sculptures are in the collection of the Hawaii State Foundation on Culture and the Arts, and her work has been juried into shows nationally and internationally.

“I consider a piece successful if it has vitality, seeming to come to life when finished. I prefer pit firing and salt firing because the firing adds texture and color to the works that I do not entirely control. Using these firing methods allows me to finish my work at the raw clay stage, employing colored clay, slip, texture, and burnishing when the clay is still being formed.  I like finishing the pieces while the clay is still in its most beautiful wet stage, so that the impetus for the entire work is fresh. Inspiration is often found in art made throughout human history, in nature, and in architecture.”

 
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Nature has always inspired my ceramic sculpture, but recently I have created very architectural pieces. I credit growing up in a home designed by a student of Frank Lloyd Wright, and touring two of Frank Gehry’s buildings. My goal is to combine curvilinear organic form (influences from nature) with ideas from architecture.

Favorite teachers were M.C. Richards and Paulus Berensohn, who taught me to follow the lead of the clay and to use the processes of working with clay as inspiration for the work itself. I was lucky to study with them during several month-long residencies at the Hui No'eau Visual Arts Center on Maui where I taught for 24 years.

My first teacher, Toshiko Takaezu, passed on the aesthetic of “less being more” and a strong work ethic, saying, “if you don’t know what to make, just begin working, and the work will follow.” I frequently share this good advice.

I have always believed in “working in a series” on related pieces that grow one from the other.

In my current architectural series, I am enjoying challenging myself to bring the same vitality and movement I have always found in nature, to architectural forms.

 

I initially enjoyed constructing fairly rigid, straight-walled structures (the rectilinear forms traditionally associated with architecture). Now I’m exploring more extravagant, dynamic, curvilinear forms with irregular angles, undulating walls, and swooping roofs, that combine both the primitive and the modern.

Many of my ceramic sculptures begin as a small clay study (or maquette) scaled up to become the final work. 

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